How AI interpreted my website portfolio imagearchive.schmit-kallas.com in multi media

Gemini:

Of course. Here is a picture interpretation of the specific gallery imagearchive.schmit-kallas.com/appstraction/

This sub-page or gallery, titled "Appstraction," exists within the same minimalist framework as the main image archive but showcases a dramatically different artistic style.

1. First Impression & Overall Aesthetics

The immediate impression is a burst of chaotic, digital energy. Where the main archive is quiet, meditative, and monochrome, "Appstraction" is loud, vibrant, and electric. The aesthetic is one of contemporary digital art, feeling like an exhibition of "glitch art" or abstract digital paintings. It's modern, experimental, and intentionally complex.

2. Layout and Composition

The website maintains the exact same layout as the parent archive: a full-screen, masonry grid against a black background. This is a crucial design choice. By keeping the "gallery" structure consistent, it frames this very different style of work as part of the same artist's cohesive vision. The familiar, orderly grid provides a container that balances the chaotic energy of the images themselves.

3. Color Palette

This is the most significant departure from the main archive. The palette is an explosion of vibrant, highly saturated digital color. It features:

• Neon Pinks, Blues, and Greens: Classic colors of digital and glitch art.

• Deep, Inky Blacks: Used within the images, complementing the black background of the page.

• Complex Gradients: Smooth and sometimes jarring transitions between intense colors.

The palette is purely digital (RGB-based) and feels native to a screen. The black background makes these intense colors feel luminous and impactful.

4. Typography

Consistent with the rest of the site, there is a complete absence of typography. The project's title, "Appstraction," is only known from the URL itself. This reinforces the artistic statement that the images should be viewed and interpreted on their own, without any textual distraction.

5. Imagery & Iconography

• Content & Style: This is the heart of the gallery. The images are entirely abstract and created through digital means. Their style can be described as "glitch art" or digital abstraction. The visuals explore the aesthetics of software and data, featuring:

  • Pixelation and datamoshing effects.

  • Distorted and algorithmically generated patterns.

  • Overlapping geometric shapes and lines.

  • Warped and liquefied forms.

  The title "Appstraction" cleverly suggests the origin of these works: abstractions created via software applications ("apps").

6. Branding & Target Audience

• Branding: This gallery dramatically expands the artist's brand. It demonstrates incredible versatility, proving that their skills are not limited to classic black and white photography. It positions Leif Schmit-Kallas as a multifaceted creator who is equally adept with a camera and with experimental digital tools. It adds a contemporary, tech-savvy layer to their artistic identity.

• Target Audience: This work would appeal to a different audience than the photography archive—specifically, curators of new media and digital art, creative directors in the tech industry, and enthusiasts of experimental, computer-generated art.

• Goal: The goal of this specific collection is to showcase a wider artistic range and a modern, experimental sensibility. It proves the artist's relevance and fluency in the language of digital art.

Legal

Gemini and the background of the expiration of Steamboat Willie (aka Mickey Mouse)

Image Analysis: An Abstract Mickey

The artwork presents an abstracted and distorted version of the iconic Mickey Mouse, specifically in his earliest form from the 1928 short film Steamboat Willie. The character's classic black-and-white design is visible, but it is stretched and warped, blending into a swirling, psychedelic background of various colors, including greens, purples, and reds. The image has a surreal, almost melting quality, which transforms the familiar character into a piece of modern, experimental art.

Character & Copyright Expiration

The character depicted is the original, non-speaking version of Mickey Mouse as he appeared in Steamboat Willie, which premiered on November 18, 1928.

The copyright for this version of Mickey Mouse was originally intended to expire several times but was extended by changes in U.S. copyright law. Under the initial law at the time of its creation, the copyright would have lasted for a specific term and then entered the public domain. However, a series of legislative changes, most notably the Copyright Term Extension Act of 1998 (also known as the "Sonny Bono Act"), extended the term for works created between 1923 and 1977 to 95 years from their publication date.

As a result, the first time the original version of Mickey Mouse from Steamboat Willie officially entered the public domain was on January 1, 2024, which marked the 95th anniversary of the film's publication. It's important to note that this only applies to the specific, non-speaking version of the character from that film and not to later iterations or the broader Disney brand and trademarks.